samedi 7 septembre 2013

Windows and cat (By Edouard Boubat)

From the beautiful book : "Les fenêtres de Boubat" - Editions Argraphie - Paris - 1993
New York - 1983

Ile de France - 1978
Ile de France - 1973

"Vraiment photographier une fenêtre c'est faire le portrait de la lumière elle-même. Je prends des portraits de mes proches et d'inconnus qui deviennent proches ; mais la lumière je ne la prends pas ; je la partage avec mes modèles. La lumière fait la photo, elle est photo ; je la laisse faire Fenêtre, mon amie. Elle entre sans frapper, elle se donne elle : lumière. " Edouard Boubat - juillet 1992

 
Paris - 1948

Paris - 1968

Paris - 1986



jeudi 1 août 2013

Amber

Abandoned pregnant and penniless on the teeming streets of London, 16-year-old Amber St. Clare manages, by using her wits, beauty, and courage, to climb to the highest position a woman could achieve in Restoration England—that of favorite mistress of the Merry Monarch, Charles II. From whores and highwaymen to courtiers and noblemen, from events such as the Great Plague and the Fire of London to the intimate passions of ordinary—and extraordinary—men and women, Amber experiences it all. But throughout her trials and escapades, she remains, in her heart, true to the one man she really loves, the one man she can never have. Frequently compared to Gone with the Wind, Forever Amber is the other great historical romance, outselling every other American novel of the 1940s—despite being banned in Boston for its sheer sexiness. 

http://www.burtonbookreview.com/2012/04/forever-amber-by-kathleen-winsor.html

Astonishingly, Kathleen Winsor was an American from the Midwest who had never been to London and had recreated the panorama of Restoration England from heroic research. Her first husband, Robert Herwig, whom she married as an undergraduate at the University of California at Berkeley, had done his senior thesis on Charles II, and for five years, while he was away serving as a marine lieutenant, she studied the period, read 392 books, and wrote six drafts of her novel, running to almost 13,000 pages. The book itself is 972 pages long. 


 "Marygreen did not change in sixteen years. It had changed little enough in the past two hundred.

The church of St. Catherine stood at the northern end of the road, like a benevolent godfather, and from it the houses ran down either side—half-timbered cottages, with overhanging upper stories, and thatched with heather or with straw that had been golden when new, then had turned slowly to a rich brown, and now was emerald green with moss and lichen. Tiny dormer windows looked out, wreathed with honeysuckle and ivy. Thick untrimmed hedges fenced the houses off from the road and there were small wooden gates, some of them spanned by arches of climbing roses. Above the hedges could be seen the confusion of blooming flowers, delphinium and lilacs, both purple and white, hollyhocks that reached almost to the eaves, an apple or plum or cherry tree in full blossom." 
Among the many historical figures who appear in the novel are Charles's mistress, Barbara Villiers, the countess of Castlemaine; Samuel Pepys; the painter Sir Peter Lely; the Earl of Rochester, and Nell Gwynne.

Forever Amber is a 1947 American romantic drama film starring Linda Darnell and Cornel Wilde
                        http://www.allmovie.com/movie/v92092



King Charles II: [at a royal ball] Look at them. My loving subjects. You'd never know that half of them danced in Puritan garb while my father went to the chopping block.

British School 17th century - Portrait of a Lady, Called Elizabeth, Lady Tanfield

 "Her honey-coloured hair fell in heavy waves below her shoulders and as she stared up at him her eyes, clear, speckled amber, seemed to tilt at the corners; her brows were black and swept up in arcs, and she had thick black lashes. There was about her a kind of warm luxuriance, something immediately suggestive to the men of pleasurable fulfillment—something for which she was not responsible but of which she was acutely conscious. It was that, more than her beauty, which the other girls resented."


samedi 27 juillet 2013

At the beach


30's fashion
40's swimwear
"En 1946, l'atoll de Bikini, dans le Pacifique, fait la une des journeaux avec le premier essai nucléaire américain, tandis qu'un fabricant français de maillots de bains, Louis Réart, lance un modèle audacieux et aussi abrégé que l'atoll est étroit. Le nom du maillot est trouvé et la marque est déposée....Les maillots de Monsieur Réart sont chers : en 1947, le prix d'un bikini équivaut au tiers du salaire d'une dactylo débutante" 
Les maillots de bain - Olivier Saillard - Editions du Chêne - 1998.

July 5, 1946: Louis Reard introduced the "bikini" at a popular Paris swimming pool. (A similar swimsuit, called the "atome," was introduced around the same time, by fashion designer Jacques Heim.)
50's swimsuit
Elle - June 1958

Maurice Handler
(Tippi Hedren as a model on the right)
"Après la disparition du corset de bain dans les années 20 et 30, voici donc le grand retour du maillot-gaine. Dès cette époque, une pièce et deux-pièces coexistent au soleil.   Les maillots de bain - Olivier Saillard - Editions du Chêne - 1998. 

Op art swimsuits
Photo F.C. GUNDLACH

An interesting blog with numerous swimsuits : http://vintagefashionguild.org/fashion-history/swim-wear-history/ 

jeudi 6 juin 2013

Suns

Richard Anuszkiewicz, Untitled, 1961
Bridget Riley - Blaze - 1964
"De thermis Andreae Baccii Elpidiani, civis Romani ...." by Andrea Bacci - 1622



The sun : graphic representation in history of arts and cultures

dimanche 2 juin 2013

Windows

Benjamin Shiff
Windows - Jerusalem

July 1990
March 4, 2012

Chagall
Window in the country - 1915

For centuries, the window has been found among the most favored artistic motifs. The picture of a "room with a view" in which the window marks the threshold between exterior and interior has long fostered reflections on the medium of painting itself. The observation that a painting resembles a view through an open window dates all the way back to 1435, when it entered a treatise on painting written by the Renaissance scholar Leon Battista Alberti. He coined a metaphor which has for centuries shaped our understanding of the picture which is organized according to the rules of central perspective and which – like a window – reveals to us a delimited segment of the world.  http://www.artdaily.org
August 1996

Joseph Sudek
1930

Gipsy

100 Idées Déco
Dec-january 2009

August von Pettenkofen
1855 - Gipsy children
Fripounet
October 1978

Robert Doisneau
Les gitans de Montreuil - 1950

Liberté
Tony Gatlif

lundi 7 mai 2012

Summer feeling

Edward Georgi - 1896-1964

Digital carpet

Marie-Claire - juin 2008

Kenzo - 1985

From the book "The sun in art"

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